Saturday, 18 January 2014

Jade posts Tonight's The Night Dress rehearsal photo



Lovely photos of Jade and her new Nephew Blake





Review: Happy Days (UK Tour) at the Churchill Theatre Bromley - westendframe


Friday, 17 January 2014


Review: Happy Days (UK Tour) at the Churchill Theatre Bromley



Happy Days (UK Tour)
Churchill Theatre Bromley
Reviewed on Thursday 16th January 2014


Too often these days shows open in the West End that simply are not ready, they receive bad reviews, word of mouth becomes awful and then they close prematurely. However, instead of immediately opening in the West End, Happy Days, a new musical based on the American television sitcom created by Garry Marshall, has embarked on a six month UK tour. Whilst the musical's producer, Amy Anzel, has clearly stated her desire for a West End transfer, the creative team now have six months to ensure the show is as good as it could possibly be before any decisions regarding a transfer are made.
Happy Days is a bright and cheerful musical. Interestingly I have never seen the TV show, which aired between 1974 and 1984, but I honestly don't think that detracted from my enjoyment at all. Happy Days has all the necessary ingredients for a fun, feel-good show. 

Set in the 50's, the musical follows the Cunningham family (and their friends Potsie, Ralph Malph, Joanie and Chachi) as they battle to save their local diner Arnold’s. As the story is very light-hearted it is the big characters and full-out musical numbers which carry the show.

Happy Days is directed and choreographed by Andrew Wright whose choreography is astoundingly brilliant. Visually there is almost too much to take in as the choreography is so spectacular. The ensemble is fierce and on point at all times, executing the choreography exquisitely. 

Special mentions must go to Lucy-Jane Adcock and Jason Winter who stood out whilst performing some terrific lifts! Heidi Range, the longest serving member of The Sugababes, graces the stage with natural charm and stage presence as Pinky Tuscadero alongside Bucks Fizz star Cheryl Baker, who always brightens up the stage with her loveable personality as Marion Cunningham.

Happy Days is bursting with energy and with a speedy running time of two hours and fifteen minutes scenes don't drag, but they do dip. Obviously not every scene can be high energy but certain moments need to be sharper and move swiftly forward. Vocals aren’t yet consistent but there is not a single cast member who does not give their all. 

The score is great fun. Of course the Happy Days Theme is heavily featured and I don't think I have ever heard so many audience members humming/whistling/singing the same song during an interval. Happy Days is one of those musicals which demands the audience to jump to their feet for the finale, during which you are encouraged to take pictures and publish them on Twitter. 

I would happily see Happy Days again, in fact I'm already looking forward to catching the tour in a few months to see how it has developed. When a show opens in the West End it is lucky to have a month of previews, but Happy Days now has six times that to be fine-tuned and improved before it opens its doors to West End audiences (if it transfers). 

From what I understand Happy Days the TV show has been closely studied meaning fans of the programme, which famously starred Henry Winkler as The Fonz, will not be disappointed, but, as I mentioned, you don't have to be an avid fan of the sitcom to have a fun night out. The cast's energy is infectious and you can't help but leave the theatre with a spring in your step and a smile on your face.

Reviewed by Andrew Tomlins (Editor)

Please visit www.happydaysthemusical.com for full tour schedule, further information and tickets.

Photo Credit: Paul Coltas

Friday, 17 January 2014

BWW Interviews: Jade Ewen of TONIGHT'S THE NIGHT!

BWW Interviews: Jade Ewen Of TONIGHT'S THE NIGHT!

BWW Interviews: Jade Ewen Of TONIGHT'S THE NIGHT!
It's a busy time when a show's well into rehearsals, ready to open in a matter of days, and then there's last-minute script tweaks. Jade Ewen, playing Dee-Dee in the forthcoming UK tour of Tonight's The Night, is calm.
Her pop career may be more high profile, but she's a seasoned veteran of musical theatre, after attending the famous Sylvia Young Theatre School as a child, when she starred in shows including Whistle Down The Wind, The Lion King and Annie.
"That was when I knew I wanted to be a performer, that was when I knew it was what I was going to do for the rest of my life," she says.
After leaving school, she pursued a singing career, becoming one-third of the Sugababes as well as the UK's Eurovision entry in 2009.
"There was still a part of me that thought, 'I want to be doing a show'!" she admits. "It was just finding time to do it - there never was the right time. But now I'm at a point where we're encouraged to do our individual projects, so when I saw the audition for Tonight's The Night, I just thought, 'I'm going to go for it.'
"To be honest, I didn't think I'd get it, because I hadn't done anything since I was about 12, so I was just popping along for the experience and hoping that someone might keep me in mind for future projects. I was really nicely surprised when I was offered it!"
She says that slotting back into the musical theatre routine has been quite easy - but a lengthy UK tour of this nature will inevitably be gruelling. Yet she's looking forward to that challenge.
"My whole career has been me being thrown in at the deep end, sink or swim - I'm used to it now, I just go with it," she says. "I think that's probably better, get the experience of it and learn from it."
She confesses she's not had to tweak her singing technique too much, having spent much of her pop career being told to tone down her power.
"It's harder doing pop recording. I've always had a big voice and a tendency to project. In a small studio booth, they're always whacking on the compressors because it's too loud for the microphone!" she says. "On stage now, I'm allowed to sing naturally, which is really nice."
Catch Jade as Dee-Dee in Tonight's The Night on the forthcoming UK tour, which opens at the Manchester Palace on Monday.

Photos:Heidi and Ben Freeman at the 'Happy Days the Musical Press Night at the Churchill Theatre


Heidi Range and Ben Freeman - Celebrities at the 'Happy Days the Musical Press Night at the Churchill Theatre in Bromley - Bromley - Wednesday 15th January 2014







Are MKS the original Sugababes heading for another split after Mutya Keisha Siobhan email row?

Are MKS the original

Sugababes heading 

for another split after 

Mutya Keisha Siobhan

email row?

Speculation of strife in Suga-land mounted earlier this week when Keisha Buchanan sent a highly public tweet to Mutya casting doubts on the trio's future


MKS: is everything still sugary sweet with the band?
MKS: is everything still sugary sweet with the band?

Getty
Oh dear, could history be repeating itself with the original Sugababes?
After becoming more known for their backbiting and revolving door policy on membership, the original trio - expunged from the official line-up - decided to reform and it was all supposed to be different this time around.
The original three - the imaginatively-titled Mutya Keisha Siobhan - got back together, released a single and went on a sold-out tour across the UK but it seems that all is not well in the land of Suga.
With their debut single Flatline er - flatlining in the charts, managing to peak at just number 50 - rumours had been swirling that the band's much-anticipated comeback was a dud and that they were due to be dropped by their record label.
View image on Twitter
That was swiftly denied but now new speculation of trouble has swept social networks following a suspect tweet that Keisha Buchanan sent to bandmate Mutya Buena.
"@MutyaBuena Hello???????!!!!!!!!!!!!!!!!! Clearly I have to start tweeting you," the Round Round singer wrote in a highly public fashion.
Then on one of Mutya's Instagram photos, bandmate Keisha wrote: "EMAILS!!!!!!!!!! Work???????????????? @mutyabuena hello ????"
Meanwhile third member Siobhan is enjoying a lovely holiday, apparently blissfully unaware of all the drama.


Guys chill lol all is wonderful with me & my sisters not that deep

Nothing's goin on dnt worry no red Alerts everyone's on holiday at the moment ..... I'm chillin with family fones on silent 😁👊
Hmmm. What could this mean? Could the band that splits up more than a reality show fauxmance be in trouble?
Well - don't panic because it seems not. Keisha later deleted her tweet and comments to Real Girl singer Mutya and wrote: "Guys chill lol all is wonderful with me & my sisters woohsahhhh not that deep".
Mutya added her own explanation, writing: "Nothing's goin on dnt worry no red Alerts everyone's on holiday at the moment ..... I'm chillin with family fones on silent"
The group's publicist also denied there was an issue, saying in a statement to 3am online: "There’s nothing going on here. The band will be releasing their second single and their album later this year."
Fingers crossed!







Review: Happy Days - A New Musical at The Churchill Theatre, Bromley

Review: Happy Days - A New Musical at The Churchill Theatre, Bromley

News Shopper: Picture by Paul ColtasPicture by Paul Coltas

News Shopper: Picture by Paul Coltas

GOODBYE grey skies, hello blue – Happy Days has been brightening people’s days since 1974.
And rather than bleeding that goodwill dry, A New Musical feeds it with a show that’s as fulfilling as one of Arnold’s thick shakes.
The feel- good show - written by the show’s creator Garry Marshall with original music by Oscar, Grammy and Golden Globe winner Paul Williams – debuted at The Churchill Theatre in Bromley this week ahead of a full UK tour.
I’m struggling to find a way to describe exactly how this latest incarnation made me feel.
My mind keeps going back to the food fight scene in the film Hook when Robin Williams reconnects with his childhood and, with the broadest grin imaginable, finally sees the joy of the colourful feast; it is a gleeful release.
The show always tapped into innocent, all-American nostalgia, but live and with the bombast of an uplifting score it is even more vivid.
Reborn as a stage show for the second time, the iconic cast of loveable characters has been reincarnated and there are even a couple of lesser known characters who you’ll love.
The phrase ‘very much in the spirit of the original’ is all too often a euphemism for ‘very much a pale imitation of the original’ but, I’m pleased to say that’s not the case here.

There are little romances for Fonzie, Chachi, Richie and the female characters’ struggle to break the chains of a patriarchal society (albeit in a cutesy 1950s way).
Often revivals of popular shows with well-loved characters - whether on the stage or the big screen – can get lazy in terms of narrative and while a scheme to save Arnold’s diner from closure is not groundbreaking, there is sufficient nuance to keep the story rollicking along.
The dialogue is sharp and director Andrew Wright keeps the play bursting with life.
Of course, at the top of the list of loveable characters, of course, is The Fonz. If ever there was a potential banana skin for an actor, then this is it.
It is a shame that the production team didn’t link up with the Beeb for a show – How do you solve a problem like Fonzarelli? would surely be a ratings winner.
I’ll admit I was concerned for Emmerdale’s Ben Freeman, who had to step into the hallowed leather jacket.
So ingrained is The Fonz in popular culture that it is possible to imagine even Henry Winkler in his prime would be able to live up to expectations, and his appearance – which basically consisted of a cartoonish swagger and an ‘eyyyy’ – contained little to give me confidence.
But it didn’t take him long to win me over. His swagger, attitude and delivery were spot on. Great voice too – he nailed it.
One of the lesser known characters who takes a leading role here, is Pinky Tuscadero, played by lovely Sugababe Heidi Range.
It sounds churlish saying this about woman who has made a living from her voice for more than a decade, but Heidi can really belt out a tune. She was sufficiently starry to work as the Fonz’s love interest too.
While we’re talking about the cast – a big mention to Cheryl Baker. She is marvellous at Mrs Cunningham and provides some of the show’s most memorable moments, most of them laugh out loud funny.
When the Fonz jumped the shark nearly 40 years ago, the moment became a signpost that a show is in decline but from what I saw yesterday there’s plenty of life left in the old dog.
Happy Days is at the Churchill Theatre, Bromley, until January 18 and The Orchard Theatre, Dartford from May 19 to 24. Go toatgtickets.com/Bromley or orchardtheatre.co.uk

Wednesday, 15 January 2014

Sugababe Heidi Range: I lied about my age to get a pop career


Sugababe Heidi Range: I lied about my age to get a pop career



Sugababe Heidi Range: I lied about my age to get a pop career
Heidi Range says it’s great to be back performing on stage in a new Happy Days musical (Picture: Paul Coltas)
Is that it? Have the Sugababes really split up?’ I ask Heidi Range, scarcely believing the 21st century has come to this. ‘Not officially but we don’t have any plans for anything in the near future,’ she replies.
‘Is there going to be any sort of official announcement?’
‘I don’t think there needs to be. It’s no big deal,’ says Range. ‘We haven’t released anything for a few years and don’t have any plans to. Maybe one day we’ll fancy doing something. Maybe we won’t.’
No big deal? Perhaps Range herself is too close to the non-stop roller-coaster ride that was the Sugababes to appreciate what they added to the pop firmament. Surely this is a huge deal?
How will the pop world carry on without the ever-changing line-up of its most tumultuous trio to keep it entertained? From the day in 2001 when Siobhán Donaghy flounced out of the band, pop lovers knew they were dealing with a very special three-piece indeed. You have to give it to Donaghy, her exit in the middle of a Japanese promotional trip was a stroke of genius. She said she was going to the toilet but fled to the airport and flew to London. Brilliant. Range replaced her.
The ’babes kept themselves engulfed in a cloud of high drama while simultaneously knocking out a string of top tunes, including No.1s Freak Like Me, Round Round and About You Now.
I was working on a gossip blog back in 2009 when Keisha Buchanan was sacked and replaced with Jade Ewen – it kept us busy all week. First pictures of Ewen in her new Sugababes hot pants, then stories of ‘devastated’ Buchanan being ‘consoled’ by JLS… For the Sugababes to fizz out like this seems uncharacteristically anticlimactic. How does Range feel about this sad demise?
‘Great,’ she chirps. ‘I was in Sugababes for 11 years. It’s amazing for a pop band to last that long but right now it’s time for a break from all that.’
Yes, for plucky Range has swapped the ‘glamour’ of PVC and video shoots in exotic locations for retro 1950s get-up and a rehearsal room in Bromley, Kent, where she is preparing for the role of Pinky Tuscadero in Happy Days: A New Musical. Henry Winkler (The Fonz in the TV series that ran for ten years and spawned the phrase ‘jumping the shark’) is the show’s ‘creative consultant’ (whatever that means).
Range loves it. ‘It sounds cheesy but I enjoy being part of a team and building the show together,’ she says. ‘Rehearsing is something I haven’t done for years – the Sugababes didn’t rehearse, we just did it on stage – and it’s fun to be interacting with the rest of the cast.’
Range’s pug Betty isn’t so keen. ‘She doesn’t like me speaking American,’ she says. ‘It freaks her out and she runs in circles barking. I have to go to my boyfriend’s house to practise my lines.’
The role is a return to Range’s showbiz roots: she started performing with a Liverpool dance school at three. By the time she was a teenager, she’d had lead roles in professional productions including a panto stint as Snow White.
‘I loved singing,’ says Range. ‘I feel empowered when I sing.’
Range looked for auditions in The Stage newspaper every week and at 14 nearly joined pop group Scooch – the short-lived rivals to Steps. ‘I lied about my age,’ she says. ‘You had to be 16 and when I told the truth, the producers said they’d phone me in a couple of years.’
She joined an early incarnation of Atomic Kitten but, to her surprise, when she turned 16, the Scooch producers – Mike Stock and Matt Aitken of Stock, Aitken and Waterman – offered her a solo deal. The Sugababes were next. After years on the periphery of the industry, did pop stardom live up to her expectations?
‘No, you think it’s going to be all fun and games and you get to sing with your mates every day but it’s not like that,’ she says. ‘It’s hard work and you get homesick but I wouldn’t change any of it.
‘There were great days, even up to the end, where we’d perform at amazing places. There’d be other days where you didn’t feel like getting up and fancied a lie-in. But most jobs are like that.’
After stints on Dancing On Ice (where she finished eighth) and Celebrity MasterChef, where she was first to leave (‘they gave me a spider crab. I’ve never prepared a crab in my life. I didn’t have a clue what to do with it’), the musical has re-energised her.
‘I’m up at 6am every day and can’t wait to get in. I haven’t performed for a while and it feels good to be back,’ she says. There are hopes for a West End run when the show finishes its British tour – but what are Range’s plans after that? A solo album?
‘I don’t know, I’ll see what happens when the time comes,’ she says.
You don’t have a load of achievements you’d want to tick off a list, then?
‘I wouldn’t say my career is over and I’m done and satisfied,’ she says. ‘I’m happy with what I’ve achieved so far and I’ll keep doing what makes me happy. Music will always be what I do. I’m a singer and that will never change.’
The musical of Happy Days is at Bromley’s the Churchill Theatre as part of a British tour. www.happydaysthemusical.com
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Photos: Behind the scenes photos of Jade and Tonight's the Night rehearsals







Tuesday, 14 January 2014

Heidi Range interview with entertainment-focus

Heidi Range interview


Heidi Range interview
Heidi Range is swapping the Sugababes for the stage as she makes her musical theatre debut in brand new musical Happy Days.
Based on the iconic TV series, the show brings a new story packed with original music to theatres starting at The Churchill Theatre in Bromley tonight. In the production Heidi plays Pinky alongside Ben Freeman as The Fonz and Cheryl Baker as Mrs Cunningham.
Earlier this week we were invited along to a special preview of the show and got the chance to sit down with Heidi for a quick chat about it. In our video interview we talk to Heidi about making her musical theatre debut, find out how she’s feeling ahead of the show’s opening, and talk about the challenges of the show.


Watch the video interview with Heidi click here to see video:

By Pip Ellwood
- See more at: http://www.entertainment-focus.com/featured-slider/heidi-range-interview/#sthash.JFBpHyRp.dpuf